Keywords: THESIS3

Next: An overview of the Up: Sweeney Todd: an analysis Previous: Conclusion Contents

# Bibliography and Sources Used

The basis for this thesis is formed, of course, by the vocal score:

Sondheim, Stephen Sweeney Todd, the Demon Barber of Fleet Street Revelation Music Publishing Corp. & Rilting Music, Inc. New York, 1979

Then there are two other books of which I have learned much useful information:

Banfield, Stephen Sondheim's Broadway Musicals University of Michigan Press, 1993
Pfister, Manfred The Theory and Analysis of Drama Cambridge: Cambridge University Press, 1991

Most of the quotations from the older theorists were obtained from this book:

Brownstein, O.L, and Daubert, D.M Analytical Sourcebook of Concepts in Dramatic Theory Westport, Connecticut, London: Greenwich Press, 1981

Additionally the following sources must find their place here:

Aristotle Poetics: The Argument Gerald F. Else, transl. Cambridge, Mass.: Harvard University Press, 1957.
d'Aubignac, F.H. The Whole Art of the Stage London: William Cademan, 1684.
Banfield, Stephen Sondheim's Broadway Musicals University of Michigan Press, 1993.
Brecht, B. ``A Little Organum for the Theater.'' Beatrice Gottlieb, transl. Accent 11, no. I/Winter 1951: 13-40.
Brownstein, O.L, and Daubert, D.M Analytical Sourcebook of Concepts in Dramatic Theory Westport, Connecticut, London: Greenwich Press, 1981.
Büchner, G. Woyzeck J. MacKendrick, transl. London, 1979.
Charlton, H.B. Castelvetro's Theory of Poetry Manchester University Press, 1913.
Coenen, H.G. Elemente der Racineschen Dialogtechnik Münster, 1961.
Coleridge, S.T. Biographia Literaria J. Shawcross, ed. 2 vols. London: Oxford University Press, 1907.
Corneille, P. ``First Discourse on the Uses and Elements of Dramatic Poetry'' B.S. MacClintock, transl. in European Theories of the Drama Barrett H. Clark, ed. Cincinnati: Stewart and Kidd, 1918.
Diderot, D. ``On Dramatic Poetry'' Barrett H. Clark, transl. in European Theories of the Drama Barrett H. Clark, ed. New York: D. Appleton and Co., 1918.
Dryden, J. The Critical and Miscellaneous Prose Works of John Dryden Edmund Malone, ed. 3 vols. London: H. Baldwin and Son, 1800.
Goethe, J.W. von Goethe's Literary Essays J.E. Springarn, ed. New York: Harcourt, Brace and Company, 1921.
Hübler, A. Drama in der Vermittlung von Handlung, Sprache und Szene Bonn, 1973.
Gonick, L. Neo-Babelonia, A Serious Study in Contemporary Confusion Utrecht: Veen, 1989.
Hegel, G.W.F The Philosophy of Fine Art F.P.B. Osmaston, transl. London: G. Bell and Sons, 1920.
Hirsch, F. Harold Prince and the American Musical Theatre Cambridge (Mass.), 1989.
Kennedy, A.K. Six Dramatists in Search of a Language. Studies in Dramatic Language Cambridge, Ma 1975
Mukarovský, J. The Word and Verbal Art. Selected Essays J. Burbank and P. Steiner, transl. and ed. New Haven and London, 1977.
Pfister, Manfred The Theory and Analysis of Drama Cambridge: Cambridge University Press, 1991.
Salzer, F. Strukturelles Hören, Wilhelmshaven: Otto Heinrich Noetzel Verlag, 1960.
Schlegel, A.W. von Course of Lectures on Dramatic Art and Literature John Black, transl. London: Henry G. Bohn, 1846.
Shaw, G.B. Geneva, Cymbeline Refinished, and Good King Charles New York: Dodd, Mead and Co. 1947.
Shaw, G.B. Major Critical Essays. The Quintessence of Ibsenism. The Perfect Wagnerite. The Sanity of Art London: Constable, 1932.
Sondheim, S. ``Larger than Life: Reflections on Melodrama and Sweeney Todd'' in Melodrama D. Gerald, ed. p. 3-14, New York Literary Forum, 1980.
Sondheim, Stephen Sweeney Todd, the Demon Barber of Fleet Street Revelation Music Publishing Corp. & Rilting Music, inc. New York 1979.
Strindberg, A. Miss Julia in: Eight Best Plays E. Björkman and N. Erichsen, transl. reissue London, 1979.
Turner, E.S. Boys will be Boys: The Story of Sweeney Todd, Deadwood Dick, Sexton Blake, Billy Bunter et al. Castle Hedingham, Essex: Daimon Press, 1962.
Wright, E. Feminism and Psychoanalysis. A Critical Dictionary Cambridge (Mass.): Basil Blackwell, 1992.
Zadan, C. Sondheim & Co. New York, 1990

Next: An overview of the Up: Sweeney Todd: an analysis Previous: Conclusion Contents