... Pfister^1.1

Pfister, M the Theory and analysis of drama Cambridge University Press Cambridge, 1991

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... Todd^3.1

Turner, Boys will be Boys: the story of Sweeney Todd, Deadwood Dick, Sexton Blake, Billy Bunter et al. 1962

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... unrefined^4.1

Aristotle Poetics, 107-11.

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... scientist^4.2

Castelvetro Theory of Poetry, 67.

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... utility^4.3

d'Aubignac The Whole Art of the Stage, 6:7.

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... utility.^4.4

Corneille First Discourse, 140

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... mankind^4.5

Dryden Works 1,2:143

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... poetry^4.6

Dryden, Works 1,2:269

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... them^4.7

Addison Works 2:184

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... growth^4.8

Schlegel Lectures 18-19

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... utility^4.9

Coleridge Biographia Literaria 2:220-21

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... activity^4.10

Shaw Major critical essays 315-316

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... imagination^4.11

Goethe Literary essays 185

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... action^4.12

Aristotle Poetics 107-11

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... utterance^4.13

I shall discuss the different functions of language in the following chapter

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...phamus^4.14

There are also the poetic and metalingual function, but because they have no influence on the function of music, and are related solely to language, I shall defer discussion of them to a later chapter

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... dialogue^5.1

Or verbal communication in general

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... consciousness.^5.2

J. Mukarovský The Word and Verbal Art, 80

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... figures^5.3

Sondheim "Larger than Life: Reflections on Melodrama and Sweeney Todd" in Melodrama ed. D. Gerald New York Literary Forum, 1980, p.3-14

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... thing^5.4

Number 4 in the score

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... nothing^5.5

Shakespeare, W. Macbeth in ''The Complete Works of William Shakespeare comprising his plays and poems'' ed. B. Hodek, Spring Books, London

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... sweat^5.6

This last phrase is in the stage direction

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... downstairs^5.7

i.e. Tobias

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... was^5.8

The OCR has here 'keep' instead of 'was'

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... contact^5.9

I will discuss the various forms of dialogue and monologue in one of the next sections.

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... used^5.10

My Fair Lady by A.J Lerner and F. Loewe, is a musical where the metalingual function forms part of the subject matter.

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... system^5.11

The discussion of the poetic function is relatively short because I found no instances of it in Sweeney Todd except for the fact that some of the characters use iambic meter, as I mentioned in one of the previous sections.

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... Szene^5.12

A. Hübler Drama in der Vermittlung von Handlung, Sprache und Szene 1973, 10

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... meter^5.13

See p. 

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... unsettling^5.14

Elizabeth Guild, in Wright, 1992:75

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... show^5.15

The only cut in the show(!).

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... culpa^5.16

Transl: My fault, My great fault, My great ,great fault

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... beautiful^5.17

Both Todd and the Judge use this description of Johanna

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... mind^5.18

Vocal Score p. 121

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... contest

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... C^5.20

And I must say that on the OCR, the role of Pirelli is sung by a tenor, who is using a mixed voice, which has a very strange effect.

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... question^5.21

One which transcedends individual sentences

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... stichomythia^5.22

Mukarovský ibid p. 87-8

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... 'dialogicity'^5.23

Mukarovský ibid, p. 103, ff.

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... sleep.^5.24

Strindberg, A. Miss Julie in Best Eight Plays, 112

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... out)^5.25

Büchner, G. ''The Woods Beyond'' from Woyzeck

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... analysis^5.26

H.G. Coenen, Elemente der Racineschen Dialogtechnik 1961

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... show^6.1

For the thematic processing of the Dies Iræ motive I refer to Banfield, p. 297ff

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... world^6.2

The OCR (Original Cast Recording) has 'moon' here, the score has 'world'

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... songs^6.3

Sondheim uses the same scale in Into the woods, see Banfield, p. 381ff

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... Well^6.4

Anacrusis

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... thing^6.5

Descending 4th

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... thing^6.6

Descending 4th

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... heard^6.7

The reprise of the minuet was omitted in the OCR

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... gasps^6.8

That's in the stage directions

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... my^6.9

OCR has 'me' i.s.o. 'my'

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... Oriental^6.10

The OCR has here 'dermatologic'

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... stench?^6.11

I left out the chattering of the other figures for the sake of clarity

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... enters^6.12

No. 10 in the vocal score

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... melody^6.13

Compare this with the Habañera from Bizet's Carmen where semi-tones are used to raise sexual tension

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... Iræ-motive^6.14

In that light even the ballad accompaniment could be seen as being derivative of the Dies Iræ-motive

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... long^6.15

Dies Iræ-inversion derivative

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... voices^6.16

I have some serious doubts whether this can be heard

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... resolved^6.17

Compare this with the jump of a minor $7^{\rm th}$ in Somewhere from West Side Story It's also used in a situation where severe problems need to be solved

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... daughter.^6.18

Hirsch, Harold Prince and the American Musical Theatre, 1989, 125

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... grass\ldots'')^6.19

Banfield Ibid 293

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... do''^6.20

Hirsch Ibid 1989, 124

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... pit''^6.21

Zadan C. Sondheim & Co., 1990, 248

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